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DATAPANIC#5

by Datapanic#5

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Meduza: Loud 01:00
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about

Datapanic is a project created in 2020 by The Ox* brand and by Scuola FuoriNorma involving a digital compilation released twice a year. The formula is reminiscent of 1980s and 1990s tape and vinyl compilations and is aimed at re-energising personal relations between musicians as well as redefining the concept of “music genre” itself. The main idea lying behind Datapanic concerns the notion of limit and its effect on the available compositional possibilities. We believe that limits are a great opportunity to unleash one’s creativity, therefore we ask musicians to compose a 60-second track (of any genre) following a theme. All things considered, we hope that in the long run the music of Datapanic will show peculiar characteristics and perhaps Datapanic itself will become a standard or a genre.
Datapanic themes: #1: Order – Disorder; #2: Dark – Light; #3: Memory – Oblivion; #4: Close – Far away.

Datapanic#5 involves 25 authors – ten women, fifteen men – from 15 different countries (Argentina, Austria, Italy, England, Finland, France, Germany, Ghana, Japan, Malta, Norway, Poland, Russia, Switzerland, United States) and its theme is “Quiet – Loud”: it is intended as a fertiliser for your imagination/inspiration.

Datapanic Editorial Board: Alessandro Aiello (The Ox – canecapovolto), Delfo Catania (Siddhi), Adriano Elia (törst). Partners: Complex HOLIDAY, Circuito C4M, Bips&Blinks, Radio Ciroma, White Garage.

Listen to Datapanic#1 (Order – Disorder), released in April 2020.
datapanic.bandcamp.com/releases
Listen to Datapanic#2 (Dark – Light), released in March 2021.
datapanic2.bandcamp.com/releases
Listen to Datapanic#3 (Memory – Oblivion), released in October 2021.
datapanic-3.bandcamp.com/releases
Listen to Datapanic#4 (Close – Far away), released in May 2022.
datapanic-4.bandcamp.com/releases

credits

released January 16, 2023

license

all rights reserved

tags

about

Datapanic#5 Catania, Italy

The Datapanic project was established to spur on ideas and actions about the relationship between musicians and their work. We are interested in creating a mental/geographical context, bringing relationships back to the center of music and, above all, in stimulating the formation of transversal musical genres through aesthetic and philosophical reflections on limits, freedom and time. ... more

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